University of California Press, Scott Yanow. Our site uses cookies to tailor your experience, measure site performance and present relevant donation incentives and advertisements. By continuing to browse this site you are agreeing to our use of cookies. To read our privacy and cookies policy, please click here. Whatever the actual details, Morton came from a New Orleans Creole family who did not approve of his musical aspirations. Moreover, like many musicians of the day, Morton did not secure the copyrights for all of his compositions.
He was galled to see these songs bring success to other musicians while he earned only partial payment or, in some cases, nothing. By Morton had moved to Washington, D. This technique also had a touch of New Orleans, where he grew up. Morton further utilized the major sixth interval and minor sixth interval in the bass in place of octaves or tenths. He also had the unique ability to play the swing rhythms efficiently with both hands.
Jelly Lord. Morton was also presented with the Grammy Lifetime Achievement Award. He was also a posthumous inductee to the Rock and Roll Hall of Fame. Jelly Roll Morton was a colossus in the world of jazz, the first great traveling jazz and piano star of the 20th century.
His work for the Library of Congress is absolutely magical. The French influence in his high-stepping ragtime compositions is profound and equally hard-driving. In the s, at his prime, Morton showed the world how the rough, blue-rooted Jazz of New Orleans could be converted into a vivacious ensemble of subtle counter melodies, a sophisticated art that evokes and nurtures the choirs and the blues into the heart of the musical world.
He triumphs like a maestro, combining the character of a city and the origins of its people into a musical concoction that will forever remain etched across eternity. His jazz connects like no other - Jelly Roll Morton is indeed jazz royalty. Browse hundreds of his recordings in the Red Hot Jazz Archive. Since Scott Yanow has been a regular reviewer of albums in many jazz styles.
He has written an in-depth biography on Dizzy Gillespie for AllMusic. He has authored 11 books on jazz, over liner notes for CDs and over 20, reviews of jazz recordings. Yanow was a contributor to and co-editor of the third edition of the All Music Guide to Jazz.
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